Alice Herz-Sommer gana un Oscar a un mes de haber fallecido a los 110 años de edad

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A documentary about Alice Herz-Sommer, the 110-year-old Holocaust survivor  who died last weekend, has won the Academy Award for best short documentary.

“The Lady in Number 6: Music Saved My Life” is a 38-minute film about  Herz-Sommer’s use of music to survive the death camps.

In accepting the Oscar, the film’s director, Malcolm Clarke, said that he was  struck by Herz-Sommer’s “extraordinary capacity for joy” and “amazing capacity  for forgiveness.”


Herz-Sommer was considered the oldest Holocaust survivor until her death on  Feb. 23.

Alice — everyone from presidents on down calls her Alice — was born on Nov.  26, 1903 into an upper-class Jewish family steeped in literature and classical  music.

A friend and frequent visitor was “Uncle Franz,” surname Kafka, along with  composer Gustav Mahler and other luminaries.

Trained as a pianist from childhood, Alice made her concert debut as a  teenager, married, had a son and seemed destined for the pleasant, cultured life  of a prosperous Middle European. But everything changed in 1939 when Hitler,  casually tearing up the Munich accord of a year earlier, marched his troops into  Prague and brought with him his anti-Semitic edicts.

Her public concert career was over, yet the family managed to hang on in an  increasingly restrictive existence in the Czech capital.

In 1943, however, Alice and her husband, their 6-year old son Raphael (Rafi),  and Alice’s mother were loaded on the transport to Theresienstadt.

But her main focus was on Rafi, trying to make his life bearable, to escape  the constant hunger and infuse him with her own hopefulness.

“What she did reminded me of Roberto Benigni in the Italian film ‘Life is  Beautiful,’ “ said Malcolm Clarke, director of “The Lady in Number 6.” “He plays  an Italian Jew who pretends to his young son that life in the camp is some kind  of elaborate game for the boy’s special amusement.”

Liberated in 1945, Alice and Rafi returned to Prague but four years later  left for Israel. There she taught at the Jerusalem Academy of Music and  performed in concerts frequently attended by Golda Meir, while Rafi became a  concert cellist.

Alice said she loved her 37 years living in Israel, but when Rafi, her only  child, decided to move to London, she went with him. A few years later Rafi died  at 65, but the mother remained in her small flat, No. 6, in a North London  apartment house.

Nearly all of the film was shot over a two-year period inside the flat  dominated by an old Steinway piano on which Alice played four hours each day, to  the enjoyment of her neighbors.

Originally the filmmakers considered “Dancing Under the Gallows” as the  film’s title before going with “The Lady in Number 6.”

It was a wise decision, for the film is anything but a grim Holocaust  documentary with Alice’s unfailing affirmation of life, usually accompanied by  gusts of laughter.

Her health and speech have declined in recent months, and she no longer does  interviews. But in a brief phone conversation, conducted mainly in German, Alice  attributed her outlook partially to having been born with optimistic genes and a  positive attitude.

“I know there is bad in the world, but I look for the good,” she said, and  “music is my life, music is God.” At 104, she took up the study of philosophy  and likes to quote German philosopher Friedrich Nietzsche, who said “Without  music, life would be a mistake.”

The film is peppered with such observations, which coming from anyone else  might be considered a sign of Candide-like naivete.

A sampling of her sayings: “Wherever you look, there is beauty everywhere”;  “After a century on the keyboard, I still look for perfection”; “I’m so old  because I use my brain constantly. The brain is the body’s best medicine”; and  “A sense of humor keeps us balanced in all circumstances, even death.”

Many of the observations are recorded by Caroline Stoessinger in her book “A  Century of Wisdom: Lessons from the Life of Alice Herz-Sommer, the World’s  Oldest Living Holocaust Survivor,” which forms the basis for the film and her  on-screen interviews.

Stoessinger, a New York concert pianist, interviewed Alice and her friends  over a period of 15 years and became an ardent admirer of her subject.

Read more: http://forward.com/articles/193699/documentary-on-holocaust-survivor-alice-herz-somme/#ixzz2v19ZXipI

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